My Goth friends, no…wait a minute…Goths don’t have
friends. They dwell in a dungeon
somewhere living off of moldy cheese and really bad whine. Okay, sorry for the pun. Now don’t go off
moping about how no one understands you—at least you are not Emo right? (I
really need to get around to compiling that list). Considering everything that
I listen to, I tend to like my music on the dark side, so Goth really hits me
where it counts. For what seems like
centuries, I’ve been schooled in the ways of the Goth, though I still consider
myself a classic Punk Rocker (West Coast and UK represent). At one point, someone told me that there
were thirteen levels of Goth, but that’s too much hierarchy for me. In fashion, it’s not always about
black. There is a myriad of levels and
styles that include: pink, white, rainbow, and pixie, which sounds like a Care
Bears cartoon or a bowl of Lucky Charms. Most Goth’s that I know are relatively happy people; they just
embrace the melancholy of this life as well as their past lives. The Cure and Siouxsie And The
Banshees are typically credited as the gateway to Goth, but there are a lot
more groups out there. As with every
style of music, there will always be sub (dungeon) categories, and this one is
no exception. These iconic tunes can
send you down the dark and lowly path that is known as Goth Rock.
Playlist for Grave Goth Rock
1. Bauhaus – “Lagartija Nick”(1982)
Bauhaus consisted of Peter Murphy (vocals), Daniel
Ash (guitar), Kevin Haskins (drums), and David J (bass
guitar). In 1983 Peter Murphy began a
solo career while the other members continued as Tones on Tail and,
later, Love and Rockets. This
song is the turning point of this group as they started to evolve from an
experimental art band to a more rock sound.
Yes, the pinnacle song for this group is “Bela Lagosi is Dead,”
but I like this song better.
2. The Cult – “She Sells Sanctuary”(1985)
Since their earliest form in Bradford during 1981,
the band has had various line-ups, and the longest-serving members are Ian
Astbury (vocalist) and Billy Duffy (guitarist), the band's two
songwriters. This song is taken off of
their breakthrough record, “Love” and has laid the groundwork for their
mainstream presence. Though typically
not viewed as Goth, the themes of punk and psychedelic mysticism seem to find a
place in this dark genre…and this song just rocks!
3. Fields Of The Nephilim – “Preacher Man”(1987)
I was introduced to this band though a mutual Skinny
Puppy fan. She liked the distorted
vocals and I liked the macabre nature of the sound. The band's name refers to a Biblical race of giants or
angel-human hybrids, known as the Nephilim. Although they have not received
substantial mainstream success, the band's seminal sound has proved highly
influential, especially in the genre of gothic rock. Lead vocalist Carl McCoy formed the band in 1984 and then
reformed it with new members in 1997.
The band had a "dust and death" image, associated with
characters from Sergio Leone's Spaghetti Westerns and often wore cowboy
dusters with a weather-beaten look during
photoshoots.
4. The Sisters of Mercy – “This Corrosion”
(1987)
Formed in 1980, the name of the band was influenced
by Robert Altman's film “McCabe & Mrs. Miller” (1971), which
featured the Leonard Cohen song "Sisters of Mercy." The group has released three original studio
albums, of which the last was released in 1990. Each album was recorded by a
different line-up; singer and songwriter Andrew Eldritch and the drum
machine called Doktor Avalanche are the only consistent members of the
group. They ceased recording for record
labels in 1993 (and have yet to form their own Indy label), but still tour and
write songs for their live audience.
This song, in my humble opinion, is the pinnacle Goth anthem, as it
features a gospel choir mixed in with some dark and gloomy vocals. It is almost bouncy and it lasts for what
seems like an eternity.
5. The Mission U.K. – “Deliverance”(1990)
In 1986, Wayne Hussey (vocals and guitar), Craig
Adams (bassist), Mick Brown (drums), and Simon Hinkler
(guitarist) formed a band called The Sisterhood, but changed the name to
The Mission (a.k.a. The Mission UK for US audiences) due to the
protests of Andrew Eldritch of The Sisters of Mercy. Aside from Hussey, the line-up has changed
several times during the years, but still maintains a kind of romantic
renaissance sound that still has a melancholy flavor. This song, taken from their album, “Carved In Sand,”
should really be listened to with the previous track on the record, but then
again you really need to listen to the entire record in order to experience The
Mission UK at their full brilliance.
6. Concrete Blonde – “Bloodletting (The Vampire
Song)”(1990)
There are three stories on how this band got their
name. Labelmate Michael Stipe
(REM) suggested the name describing the contrast between their hard rock music
and introspective lyrics. A "Concrete Blonde" is also a
derogatory term for the heavily hair-sprayed, permed and big haired appearance
adopted by "Sunset Strip Metal" bands, such as Poison and Ratt,
and during an MTV interview Johnette Napolitano (vocals) stated that it’s
just "two words that sound good together." This song is homage
to Anne Rice’s novel “Interview With The Vampire”; how much more
Goth can you get?
7. Type O Negative – “Black No.1 (Little Miss
Scare-All)”(1993)
Also known as the Drab Four, in homage to the
Beatles nickname the Fab Four, this band never really felt like they
were great, but they were greatly loved.
This track is taken off of their “Bloody Kisses” record and is
considered a classic Goth song. Type O
Negative's final lineup prior to Peter Steels’s (vocals) death in 2010
included Kenny Hickey (guitars), Josh Silver (keyboards), and Johnny
Kelly (drums). The tongue is firmly planted in the cheek, as lots of Goth’s
consider this song somewhat of a parody of the scene, but it’s not really off
the mark.
Bonus Videos:
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